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MONA LISA SMILE Running time: 117 mins Starring: Julia Roberts, Kirsten Dunst, Julia Stiles, Maggie Gyllenhaal, Dominic West, Marcia Gay Harden Julia Roberts takes on the Robin Williams role in this engaging female variation on Dead Poets Society. Mona Lisa Smile is set in Wellesley, “the most conservative college in the nation“ in the 1950’s. The privileged students are taught invaluable rules of etiquette and propriety, like how to cross and uncross their legs, as a means to attract a suitable husband. Wellesley openly prepares its pupils not for careers but for lives of domesticity and subservience. Thrust into this staid arena, as Wellesley’s new history of art teacher, is the freethinking and liberal Katherine Watson (Julia Roberts). Written by two men, Lawrence Konner and Mark Rosenthal, and directed by Mike Newell, best known for his hilarious depiction of upper class antics in Four Weddings And A Funeral, Mona Lisa Smile takes a pointed stance on the stifling morals and expectations imposed on the country’s elite young women in mid-century America. Inspiring teachers and their impact on their students is a well that has been dipped into many times before in movies like Mr Holland’s Opus and Dangerous Minds, but it’s the gentrified setting of Dead Poets Society that draws the obvious comparisons here. Newell has assembled a masterful cast, especially to portray the students who range from the bitterly cruel Betty (Kirsten Dunst) to the stubbornly grounded Joan (Julia Stiles) to the promiscuous Giselle (Maggie Gyllenhaal). Smart but inexperienced, Watson is initially unsettled when faced with a class full of bright and well prepared pupils, but her trepidation proves unfounded when she discovers that away from the security of the syllabus, the girls are less assured. Along with expanding their minds, she encourages them not accept the defined roles that have been mapped out for them. Her “subversive“ teaching methods cause her problems with the faculty, but endear her to her students who come to embrace her as a liberating and inspiring figure. Inevitably in a film involving Roberts, there’s a romantic element. As Watson adapts to her new life, she is torn between an old flame (John Slattery), the Wellesley womaniser Dunbar (Dominic West) and her fierce independence. Roberts does a wonderful job of capturing the vivacity and integrity of Watson succeeding, as she did in Erin Brockovich, in being able to transcend her looks and add substance to that smile.请采纳!
如下:
《蒙娜丽莎》(Mona Lisa)是意大利文艺复兴时期画家列奥纳多·达·芬奇创作的油画,现收藏于法国卢浮宫博物馆。该画作主要表现了女性的典雅和恬静的典型形象,塑造了资本主义上升时期一位城市有产阶级的妇女形象。
Mona Lisa, an oil painting created by Italian Renaissance painter leonardo da vinci, is now in the Louvre Museum in France. This painting mainly shows the typical image of elegance and quietness of women, and portrays the image of an urban bourgeois woman in the rising period of capitalism.
画作内容
《蒙娜丽莎》原作的尺寸:纵77cm、横53cm,该作品画在一块黑色的杨木板上。《蒙娜丽莎》画像没有眉毛和睫毛,面庞看起来十分和谐。直视蒙娜丽莎的嘴巴,会觉得她没怎么笑;然而当看着她的眼睛,感觉到她脸颊的阴影时,又会觉得她在微笑。
利用微表情理论得出结论:蒙娜丽莎的微笑中,含有83%的高兴、9%的厌恶、6%的恐惧、2%的愤怒 。蒙娜丽莎,坐在一把半圆形的木椅上,背后是一道栏杆,隔开了人物和背景,背景有道路、河流、桥、山峦,它们在达·芬奇“无界渐变着色法”的笔法下,和蒙娜丽莎的微笑融为一体,散发着梦幻而神秘的气息。
讲的是50多年前发生在美国马萨诸塞州保守的卫斯理女子学院的故事。朱莉娅·罗伯茨演该学院新聘的艺术史老师凯瑟琳.沃森。在这所女子学院,学生们大多有着良好的家庭背景,受过优秀的教育,第一堂课就给凯瑟琳来了个下马威。但是学院灌输给学生们关于成功的定义却是嫁一个好丈夫,她们所学的一切东西都是为了这个目的,找一个好丈夫,为丈夫服务。于是,凯瑟琳就在这个保守的环境里,试着引导学生们去寻找真实的自我,并且大胆去实践她们的想法。整部片子在我看来,除了一些场景拍得不错,知道了点那时美国学校的生活方式外,总的来说一般性,情节比较松散,缺少那种振奋人心的张力,就不细述了。但还是来写上一评论,是因为它的主题不错,就有感而发说上几句了。有一女性朋友,婚姻家庭关系不好,丈夫有了情人,两人常常吵架,现在竟然公开地发展到上半夜睡情人那里,下半夜才偶而家。这样的一种关系,她居然还在默默忍受!她自己有工作,经济上能够独立,应该不用依赖丈夫,唯一的托词是为了孩子。但这种名存实亡的家庭是否真的能够带给孩子健康成长的空间呢?(当然了,每个人都有对自己生活的选择权,我是不会去横加干涉的。但同样,我也有着发表自己意见建议的权利。)或许可以说其是位伟大无私的母亲,但无疑也是位不正常的女性,时时压抑着对幸福生活追求的欲望,不能自由地表达自己的需求。我很是怀疑在这样一个失衡的痛苦的母亲教导下的孩子的心理能否健康呢?她的选择能否带来好的结果呢?一直认为要爱人首先是爱自己,如果连自己都不能爱的话,还有能力去爱他人吗?女性不是低于男性的第二性,更不是男人的附属品,即便那个亚当的肋骨创造了夏娃的故事还在广为流传。自由地追求自己真正想要的,这也是她们与我们男性一样天赋的权力。无论男女,平等的关系是我一直坚持的。虽然有个百依百顺体贴可人的妻子是许多男人的梦想,但我首先希望的是她有着自己独立的人格,与我平等相待,不是女奴,当然也不是女皇。所以我在桃花虫儿的那个故事里写了那第三个结局。我并不是说当好一个家庭主妇就比当个女强人或女名人差,这就象那蒙娜丽莎的微笑,各人有各人的判断。我只是希望无论她们作出何种选择,都是发自内心的,是自己喜欢的,而不是别的什么强迫她们这样做。这就是我所理解的妇女解放运动的实质吧。
蒙娜丽莎的微笑Mona Lisa
中文: Julia Roberts takes on the Robin Williams role in this engaging female variation on Dead Poets Society. Mona Lisa Smile is set in Wellesley, “the most conservative college in the nation“ in the 1950’s. The privileged students are taught invaluable rules of etiquette and propriety, like how to cross and uncross their legs, as a means to attract a suitable husband. Wellesley openly prepares its pupils not for careers but for lives of domesticity and subservience. Thrust into this staid arena, as Wellesley’s new history of art teacher, is the freethinking and liberal Katherine Watson (Julia Roberts). Written by two men, Lawrence Konner and Mark Rosenthal, and directed by Mike Newell, best known for his hilarious depiction of upper class antics in Four Weddings And A Funeral, Mona Lisa Smile takes a pointed stance on the stifling morals and expectations imposed on the country’s elite young women in mid-century America. Inspiring teachers and their impact on their students is a well that has been dipped into many times before in movies like Mr Holland’s Opus and Dangerous Minds, but it’s the gentrified setting of Dead Poets Society that draws the obvious comparisons here. Newell has assembled a masterful cast, especially to portray the students who range from the bitterly cruel Betty (Kirsten Dunst) to the stubbornly grounded Joan (Julia Stiles) to the promiscuous Giselle (Maggie Gyllenhaal). Smart but inexperienced, Watson is initially unsettled when faced with a class full of bright and well prepared pupils, but her trepidation proves unfounded when she discovers that away from the security of the syllabus, the girls are less assured. Along with expanding their minds, she encourages them not accept the defined roles that have been mapped out for them. Her “subversive“ teaching methods cause her problems with the faculty, but endear her to her students who come to embrace her as a liberating and inspiring figure. Inevitably in a film involving Roberts, there’s a romantic element. As Watson adapts to her new life, she is torn between an old flame (John Slattery), the Wellesley womaniser Dunbar (Dominic West) and her fierce independence. Roberts does a wonderful job of capturing the vivacity and integrity of Watson succeeding, as she did in Erin Brockovich, in being able to transcend her looks and add substance to that smile.
1、《蒙娜丽莎的微笑》善于用情节来做暗示,做对比,降低了观众对影片理解的难度。而片中两派在影片结尾处出现了完全不同的结果:反对派被老师感化地坚决走自己的道路。而中间派反而退到“结婚生子”路线,这种角色安排和对比是许多影片中比较常见的手法。 《蒙娜丽莎的微笑》反映了新生事物向旧传统挑战的主题。可是影片在开始阶段为了展示1953年的时代特征。从布景到道具,从墙纸到头饰,从婚礼到舞会,从《我爱露西》的电视剧到骆驼香烟的广告,这些都透露着一股浓浓的怀旧气氛,也使得影片的外在形式与所表现的主题并不符合。 2、《蒙娜丽莎的微笑》既不属于现在,又属于现在。看这部影片会发现很多生活中既陌生又熟悉的东西。永不妥协,个性自由原来是电影,也是人类一个共同的主题。 3、《蒙娜丽莎的微笑》总结起来只有两个字——韵味。这韵味来自片中还原到位的20世纪50年代女子学院的风情,来自每一个精致的画面,也来自于贯穿片中的原声歌曲和配乐。片中贯穿的歌都是特别精选的来自20世纪50年代的“流行歌曲”,在全球都被奉为经典,不但具有跨越时空和语言障碍的魔力,而且更会独获中国听众的青睐。在片中这些插曲优美动听,与画面丝丝入扣之外,其演绎更是暗藏玄机。